by Michael S. Russo
Molloy College
I’ve begun watching the first season of the HBO series True Detective and I have to confess
that I’m greatly enjoying the compelling story lines and complex characters in
the series. But even more than that, I’m
really intrigued by the fabulous dialogue, written by Nic Pizzolatto. It certainly came as no surprise to me to
discover, as I did recently, that Pizzolatto was a former philosophy major at
Louisiana State University, because the series, perhaps more than any other I’ve
seen in a long time, is chock full of philosophical ideas at every turn.
The third episode in particular blew my mind with its fairly
sophisticated treatment of theism and organized religion (see the clip below). To set the scene up, two detectives, Rust
Cohle (played by Mattew McConaughey) and Martin Hart (played by Woody
Harrelson) are investigating a ritual murder that leads them to an outdoor
evangelical service. As they listen to
the preacher give his sermon, Rust, an atheist and skeptic, shares his cynical
views about the nature of religious belief to his fairly devout colleague,
Martin, who feels compelled to offer a defense of religion. As the scene plays out, we see these same
characters later on as they continue to reflect on the debate that occurred
between them a decade earlier.
From Rust’s perspective, those
who believe in the existence of a supreme being are basically pathetic,
irrational suckers who are so fearful of life that they are willing to accept
ridiculous fairy tales as truth. Martin,
on the other hand, sees religion as a positive element in society, without
which we couldn’t survive as a species.
Rust’s position is basically a
contemporary spin on the psychological critiques of religious belief developed
by the great 19th century “Masters of Suspicion”—Nietzsche, Marx,
and Freud. Although their positions on
religion differ slightly, all three see the origins of religious belief in fear
of the sufferings of this world and anxiety over the inevitability of
death. Because we are basically cowardly,
weak and childish, we create the illusion of a benevolent father figure (God),
who loves us unequivocally and who offers us the soothing balm of eternal life
with him after death. True maturity, these
thinkers argue, demands that we learn to accept the world as it truly is—full
of pain and suffering, Godless, and terminal—and start taking our lives here
and now much more seriously.
Martin response is more
sociological in nature than theological.
Notice he never argues directly for the existence of God or the truth of
religious belief, but instead makes the claim that we need religion for three
reasons: (1) It’s a binding force, enabling some semblance of community to
exist among individualistic human beings; (2) It keeps us from acting on our
more vicious natural instincts by instilling in us the fear of divine
punishment; (3) It helps us to function in everyday life, by enabling us to
overcome the existential fear that all human beings—even atheists—possess and
which otherwise would cripple us.
What is missing in this debate is
a truly theological or philosophical defense of religion of the kind that we
find in great theistic thinkers like Anselm, Aquinas, or even Dostoyevsky. The only remotely theistic argument in the
scene is the one made by the preacher, who seems to appeal to exactly the kinds
of fearful, narcissistic longings that Rust criticizes so well. So we’re left in the end with two very
cynical options: (1) religion is
basically a con game that needs to be rejected outright, though there may be
nothing positive in the end to take its place (Rust’s position) or (2) Religion
needs to be embraced, not because it’s necessarily grounded in anything true,
but because a world without it would be too horrible to contemplate (Martin’s
position).
Perhaps the absence of a strong
theistic defense of religion in the series is intentional. I don’t know what Nic Pizzolatto’s own views
on theistic matters are, but it could be that he gets the religious zeitgeist
of the times pretty well. In the end, we
don’t really give a damn whether something (i.e., God, the afterlife, original
sin, etc.) is true or not. The only
legitimate question for us seems to be “does it work for me?” If I feel better about my life by believing
in a Supreme Being, then I’ll believe in
one. If I think that it’s necessary for
society to be grounded in religious institutions in order to function
effectively, then I’ll support organized
religion. But when religion suddenly
starts to seem like something bogus to me, or when it no longer seems to fulfill
its pragmatic function in society, then I’m going to ditch it like a handful of
smelly dung.
So maybe, like the characters in True Detective, we don’t really care
about religious issues at all. All we
really care about is feeling good. And
if religion makes us feel good about ourselves, then it automatically is valid;
and if it makes us feel badly about ourselves then it is just as assuredly
invalid. But, if this is all that
religion really represents to the theists and non-theists alike, it seems to me
a fairly silly, superficial thing….a kind of spiritual pop psychology for those
who lack the ability to think critically and rationally about the human
condition.
Or am I, like the main characters
in True Detective, missing some
important piece of evidence here?
